
Fifteen unhinged things said to independent artists, and what they reveal
A listicle of crude remarks from the music business reads, at a distance, like a field guide to how gatekeeping works in any creative field.

A listicle of crude remarks from the music business reads, at a distance, like a field guide to how gatekeeping works in any creative field.

Same-day listings, venue newsletters and a little patience will fill an empty evening in Boston.

A claim about uncollected music payments says something larger about how artists of every kind get paid — and how rarely the money finds its way back.
How the Bay State's fair and festival season moves from the coast to the valley to the Berkshires, and how to plan around it.

Shows, retrospectives, surveys and permanent collections are not the same thing. Here is how the terms work, in everyday language.

Reading listings, timing the visit and keeping the crowds from ruining a blockbuster.

The Green Line strings most of Boston's major museums together. A little sequencing turns a day of riding into a day of looking.

A group show puts many artists in one room, and it is easy to walk out unsure what you saw. Learn how to find the theme, read how the show was picked, and leave with a clear opinion instead of a blur.

A Michigan co-op brought back a teaching-and-performance format with one show and two workshops — a modest restart, and a telling one.

A repeatable weekend template — galleries, open studios, library programming and public art — that refreshes weekly without going stale.

An opening reception is a preview of an art exhibition before the formal opening, with roots in the old varnishing days of the academies. Here is what it is actually for, who it serves, and when you are better off skipping it and visiting later.

The fair's VIP preview moves to September 24 to avoid clashing with Frieze Seoul, with roughly 230 galleries and two new Caribbean-focused sections.
More than 130 local artists fill downtown Hingham this Sunday — a case study in how small-town art walks work, and how to get the most from one.
Brownsburg's Festival of the Arts offers a working checklist for visitors and artists alike — what to see, what to ask, and how to plan for the weather.
A granite knob in Franconia Notch carries a painter's name and one of the White Mountains' best reward-for-effort ratios.
The fair's second Houston edition scales up to 98 galleries from 20 countries and territories, and the local contingent has grown with it.

Clutter, light and habit leave fingerprints on finished work. A look at what a studio tells a visitor that a gallery wall never will.

An artist's CV is a short summary of a career: training, exhibitions, collections, and awards. Learn what each section means and what it can tell you before you walk into a gallery, so your next visit starts with context.

Percent for Art sets aside a share of city construction budgets for artwork, and the transit authority runs its own parallel commissioning system — here is how each one picks an artist.

Studios, stipends, and fifty-eight years of the Studio Museum's program: how New York residencies work and which documented programs run today.

Structure, not length, decides whether a reader reaches the last block of a practical guide.

A charity's tax filing is public. Here is what to look for in it, and in what order, before you give.

The Metropolitan Museum of Art charges $30 general admission but remains pay-what-you-wish for New York State residents and tri-state students, per the museum's current policy.

New York's public art runs through three channels — the city's Percent for Art law, the Public Design Commission, and MTA Arts & Design — each with its own budget rule and vetting process.

Cleveland's displaced artists say their new building is better. The fuller picture is more mixed, and more instructive for any city watching studio stock vanish.

Why contemporary women's fiction keeps topping reading lists, traced through one author's steady arc from romantic comedy to something heavier and truer.

The fair floor, the gallery back room and the museum shop each teach a new collector something different — and the order matters more than the destination.

The Frick Collection reopened in April 2025 after its Selldorf Architects renovation, opening second-floor galleries of the Gilded Age mansion for the first time in its history as a museum.